The passage suggests that Biggie’s career was not solely built on his immense talent but also shaped by manipulation and control, allegedly orchestrated by Diddy. Behind the scenes, Biggie is depicted as being under Diddy’s thumb, forced to write lyrics on demand, limited in creative freedom, and blocked from pursuing independent ventures. Biggie’s ambitions to start his own label and break away from Bad Boy Records were reportedly met with resistance and threats of financial and industry blackballing by Diddy.
This paints a picture of Biggie as a controlled artist, exploited by Diddy to further his own career, with no autonomy in his work.
DMX, known for his candidness, allegedly warned Biggie’s mother, Voletta Wallace, about Diddy’s involvement in introducing a dangerous substance into Biggie’s life—a designer drug referred to as “pink Coke” or “2C-B.” This drug, a mix of ecstasy and cocaine, was reportedly used to manipulate Biggie, making him more compliant and easier to control. The drug’s addictive nature is emphasized, portraying it as a tool Diddy allegedly used to keep Biggie under his influence.
DMX’s warning to Biggie’s mother suggested that there was more at play in Biggie’s life and death than just East Coast versus West Coast tensions.
The conspiracy theory alluded to here is that Biggie’s tragic death wasn’t merely the result of rap rivalry, but a culmination of control and power struggles within the industry, with Diddy playing a sinister role. The notion that Diddy, fearing the loss of his most valuable artist, might have had a hand in Biggie’s demise is brought up, albeit through rumors and speculation.
The passage also references Voletta Wallace having footage allegedly implicating Diddy in her son’s death, which adds another layer to the ongoing mystery and intrigue surrounding Biggie’s untimely death.
Throughout this account, there’s a theme of manipulation, control, and exploitation within the music industry, with young artists, like Biggie, caught in a whirlwind of fame, drugs, and power. The use of the “pink substance” becomes a metaphor for the larger issues at play in hip-hop during the 1990s—an industry where fame and fortune often came with dark strings attached.
The deaths of Tupac Shakur and Biggie Smalls, both icons of the era, continue to be shrouded in mystery, with their legacies intertwined. The narrative hints that perhaps their deaths were not just about coastal rivalries, but rather about the manipulation of powerful industry figures.
